AFGHAN WHIGS Deafen and Destroy in Seattle

It was like sticking-a-fork-inside-an-outlet, sort of electric. People were milling around Seattle’s Showbox at the Market all hopped up on anticipation, beer and hustle.

Like me, at least a dozen people had made the 3.5hr trek from Vancouver, BC for it. The Afghan Whigs had returned after how long? 11 years? Not that was I counting, mentioning it in my new year’s list, or buying the vinyl reissues in the meantime.

I’d been spoiled – I’d already seen the reformed Whigs in August in Belgium at Pukkelpop, and had my brains blown out the back of my skull in hearing tracks from Gentlemen again. I also had history: I’d spent a night hanging out with the Afghan Whigs in the 90s, when things were messy and they had a drummer named Steve Earle.  I had the leg up on the West Coast, but I was no less excited tonight. Would they be as ferocious as we remember them from the 90s when the energy in the room was coke- and whiskey-fuelled?
Afghan Whigs setlist, pic by Mikala Taylor/backstagerider.com

More so. Only minus the mess. And double the volume.

Greg Dulli is sober and leaner, still rocking the Marlboro-gravelled soul-belter of a voice. Bassist John Curley is half his size thanks to a hardcore running regime (“I’m going running with John tomorrow” said SubPop’s VP Megan Jasper after the show. “If you told me in the 90s I’d be doing that, I would never have believed you.”) and fluidly moved between picking and strumming his bass. Rick McCollum, well, Rick looked the same. With three new bandmates, all from Dulli’s other joint, The Twilight Singers, also helping out (Cully Symington on drums, Rick Nelson on keys and cello and Dave Rosser on a third guitar), the ferocity on this tour was coming from a band razor sharp from Twilight touring and from being a group of guys who knew they’d shuffled through the dark days and come out the other side into the light.

During the opening swarm of bees of “Crime Scene Part One”, hairs stood on end before the onslaught chorus: “Do you think I’m beautiful/or do you think I’m evil?” Dulli howled. Ugly women and men in the first few rows chose the former. Then came a monstrous three-pack off of Gentlemen (“When We Two Parted” mashed into a Drake cover of “Over My Dead Body”, followed by “Gentlemen”, then “Debonair”) and the room heaved. Like, literally heaved. The floor bounced under the weight of hundreds of 30-somethings going into the rapture. The awesome filthy sex appeal of “See and Don’t See” dialled things down a bit,  but it was only during “Faded” that Dulli took a quiet moment at the piano to give our eardrums a break. Which was handy because “Fountain and Fairfax” had pretty much hammered and anviled the crap out of us.

And while we were just about ready to die in a gleeful pit of nostalgia through the encore and song #20, “Miles iz Ded”, they snuck it in, a new track, “Into the Floor”. Which was fitting. They’d pretty much nailed us there. Oh do come back properly, Afghans. I hadn’t forgotten how much I missed you. \m/

Posted by Mikala   @   16 November 2012

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4 Comments

Comments
Nov 16, 2012
7:21 pm
#1 waj :

Nice…LA (night one at least), was pretty out of control. Same vibe-so electric. Saw a stream of the Belgium show, but even knowing what’s coming doesn’t prepare you for the gut punch of being right up close;)) Transcendent moment of the evening: our final encore was ‘Faded’, segueing perfectly into the coda of ‘Purple Rain’. There was no topping that…
cheers,
waj

Nov 17, 2012
10:46 am
#2 Si :

Loved reading this, was very similar to my own experience in London!
I would love to see them do this all over again, but if they decide to hang up their hats again after New Year’s Eve, then I probably wouldn’t mind because I saw *that show*, just as everyone else has at every gig they’ve played this year.

Dec 16, 2012
12:10 pm
#3 mike :

I was one of those older dudes jumping around like a maniac at the aseattle concert. Also drove from vancouver for the gig. What an experience. I am looking for more from the band and I think some new material would be very well received. Dulli has remained creatively active the whole time and in these dark days, he has a lot to say about our world.

Author Dec 16, 2012
1:01 pm
#4 Mikala :

Thanks for the comment, Mike! What a great show, hey? Hopefully 2013 will bring new AW stuff!

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